编号:HAR211

中文名称:十一面观音（千手）

英文名称: Avalokiteshvara (Bodhisattva & Buddhist Deity) - Sahasrabhujalokeshvara (11 faces, 1000 Hands)

尺幅:45.72x38.10cm (18x15in)

类别:彩唐

材质:棉布

题材:人物

收藏:Rubin Museum of Art

地域:西藏

年份:15世纪（1400 - 1499）

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内容:

Avalokiteshvara, Sahasrabhuja Ekadashamukha (Tibetan: chen re zi, chag tong, shal chu chig. English: the All Seeing Lord with One Thousand Hands and Eleven Faces) from the tradition of Bhikshuni Shri Lakshmi (Tib.: ge long ma pal mo). (See the Bhikshuni Shri Tradition, Eleven-faces Main Page, Outline Page and Blue Annals: Bhikshuni Shri Mahakarunika Tradition).In the inner register at the top left are Prajnaparamita and the Eight Medicine Buddhas: Bhaishajyaguru, Vaidurya Prabha Raja (blue), Ashokattamshri (pink), Suvarnabhadra Vimala (white), Abhijnaraja (pink), Shakyamuni (golden), Suparakirtita Namashri (yellow), Nirghosharaja, Suvarnabhadra Vimala (yellow). The eight buddhas do not have name inscriptions written beneath each and therefore it is not completely clear which buddha is which except for Bhaishajyaraja Prabha.In the outer register, part way down, is the Five-Deity Amoghapasha in the lower half - outer register: white Avalokiteshvara, red peaceful Amoghapasha, red wrathful Hayagriva, blue wrathful Ekajati and white peaceful Bhrikuti. (See Amoghapasha Main Page, Blue Annals: Amoghapasha History and Outline Page).In the bottom horizontal register are a row of wrathful deities and protectors. Beginning from the left, the first three are meditational deities: Red Hayagriva, Black Hayagriva and Krodha Vajrapani. These three are special for removing obstacles of all kinds. They are also the meditational deities used to invoke when performing the rituals of the protector deities who are depicted in the same bottom register. Following those are the protector deities: Shadbhuja Mahakala, Shri Devi and five additional retinue figures.Reading a Painting: Paintings such as this are read and understood first from the large central figure at the center of the painting. With multiple figure compositions incorporating a number of related or unrelated subjects then standard Buddhist hierarchy dictates that the Guru and Guru Lineage is at the top of the composition. The Guru is followed by Buddhas and Bodhisattvas.In this painting a second Avalokiteshvara subject, comprised of five deities, has been added on the viewer's left side in the vertical outer register. Again a unique characteristic of this painting is found in the group of Eight Great Bodhisattvas where the standard figure of Avalokiteshvara is substituted for a non-standard but popular meditational form of the deity known as Simhanada. This was likely done by the artist to add variation rather than simply repeating the generic two armed form of the figure. Avalokiteshvara is already well represented at the center of the composition, the top left corner and then again as the first figure in the group of the Five Deity Amoghapasha. The Simhanada is added as variation - the next most popular form - although never typically seen in the group of Eight Great Bodhisattvas. The bodhisattva Maitreya is depicted twice once in the group of the Eight Great Bodhisattvas in the right hand register and then again on the upper left side placed amongst the Buddha figures. This figure of Maitreya represents the bodhisattva heir apparent - the future Buddha and is in close proximity to Dipamkara the Buddha of the past and Shakyamuni the Buddha of this time period.Moving further down the composition two monk figures are located at the sides of the lotus throne of Avalokiteshvara. These two figures in the hierarchy represent the Arhats and Pratyekabuddhas of the Hinayana Tradition of Buddhism as understood in Himalayan and Tibetan Buddhism. They represent all arhats and all pratyekabuddhas.