编号:HAR14

中文名称:绿度母（本尊）（全像）

英文名称: Tara (Buddhist Deity) - Green

尺幅:153.67x97.79cm (60.50x38.50in)

类别:彩唐

材质:棉布

题材:人物（千佛）

收藏:Rubin Museum of Art

地域:中原

年份:18世纪（1700 - 1799）

传承:不确定

是否支持复刻: 支持

内容:

绿度母（藏语：drol ma jang ku，英语：绿色解放者或着救世主），上面有一个阿弥陀佛（Amitabha），下面是一个作明佛母（Kurukulle），周围是1008个小度母。

藏语：Drol ma jang ku

深绿色像翡翠一样寂静的外表，她平静地向前方凝视，右手搁在膝盖上并握着一根粉红色和橙色的莲花的茎，持施愿印。左手在心脏位置持祝福的手印（三宝印），握着一根白莲花的茎——绽放在左耳。装饰着黄金和珠宝的头饰，长长的黑色头发堆积在头顶 - 有些散落在肩膀，耳环，项链和手镯上，她穿着各种颜色的丝绸服装。在一个月亮圆盘，绿蓝色莲花座和狮子支持的宝座顶上，呈游戏坐姿，右腿伸展在一个小莲花坐垫上，周围环绕着金色和珠宝一样的光环。头上是一个黄色头光周围环绕着蓝色背光。在前面的一张红色桌上，有一个装着青稞谷物的黑色的钵，在两个堆积的谷物的黄金碗的中间。

在度母的周围缠绕着绿色的树叶，橘色、粉色和白色的莲花，花卉的顶端显示出坐在彩虹光里，橙色莲花座位的阿弥陀佛。他是红色的，双手持禅定印，金刚坐姿。下方，在桌子的前面是作明佛母（Kurukulle），他有一张红色的脸，第一对的两只手拿着弓和箭，第二对手拿着钩和套索。装饰着骨头饰品，绿色围巾和一个虎皮衣，她以舞蹈姿势的用左腿站一具在太阳和莲花座上尸体上。

完全围绕着在中央的大度母的是1,008个小度母，他们形式相同，右手执施愿印（没有莲花），左手在心脏位置握着莲花的茎。以头光和背光框起来，颜色交替，每个人物坐在一个白色花座上，整齐的排列成行。在四个方位都有一个大的彩虹球，包含了坐在大的粉红色莲花上的成群的度母。在上方的球里是47个度母，下方127个度母，左边和右边各78个度母。共有350个度母占据上方，328个度母占据下方。

issland 译自 himalayanart.org
2017/1/13

Tara, Green (Tibetan: drol ma jang ku, English: the Green Liberator or Saviouress) with Amitabha above, Kurukulle below and surrounded by 1,008 small Tara emanations.Peaceful in appearance, dark green like emerald, placidly gazing forward she performs the mudra (gesture) of generosity with the right hand resting on the knee while holding the stem of a pink and orange lotus flower. The left hand held to the heart in the mudra of blessing holds the stem of a white lotus - blossoming at the left ear. Adorned with a tiara of gold and jewels, long black hair piled on the top of the head - some falling loose across the shoulders, earrings, necklaces and bracelets, she wears silk garments of various colours. Atop a moon disc, green-blue lotus seat and lion supported throne she sits in a relaxed posture with the right leg extended resting on a small lotus cushion, surrounded by a nimbus of radiant light ringed with gold and wishing jewels. Accenting the head is a yellow areola ringed with blue. A red table in front displays two golden bowls of heaped grain with a black begging bowl in the center filled with myrobalan fruit.Wreathed with green foliage, orange, pink and white lotus blossoms, the apex of the floral display surrounding Tara is crowned with buddha Amitabha on an orange lotus seat in a sphere of rainbow light. Red in colour with the hands in the mudra of meditation, he sits in vajra posture. Below, in front of the table is Kurukulle, red, with one face and two hands holding a bow and arrow in the first pair and a hook and lasso in the second. Adorned with bone ornaments, green scarf and a tiger skin lower garment she stands in a dancing posture on the left leg above a corpse, sun and lotus seat.Completely surrounding the large central Tara are 1,008 small Taras, identical in form, with the right hands performing the mudra of generosity (without a lotus), the left holding to the heart the stem of a lotus blossom. Framed with an areola and nimbus, alternating in colour, each figure sits above a white flower seat, all neatly arranged in rows. In each of the four directions are large rainbow spheres containing groups of Taras seated on large pink lotus flowers. In the sphere above are 47 Taras, below 127 Taras, at the left and right 78 Taras each. 350 Taras occupy the upper sides and 328 the lower sides.Jeff Watt 3-99(There are three almost identical known paintings like the one above. The others belong to the Field Museum in Chicago, the Hahn Foundation Collection in Korea and a private collector in the United States. Each painting appears identical except for the deity directly beneath the large central figure of Tara. For the Rubin painting the deity is Kurukulla, for the Hahn Collection painting it is Shri Devi Magzor Gyalmo, and for the Field Museum it is Vajrayogini. The details of the U.S. private collection painting are unknown). Jeff Watt 5-2009